Review: Dorthia Cottrell ‘Death Folk Country’
It’s not very often that an album title perfectly describes its content, to the point where three little words can
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Author: Lee Beamish
Review: Epilogen ‘Nollpunkten’
When it comes to uniqueness in 2023, I think it’s safe to say that the hopes for something truly new,
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Review: OHHMS ‘Rot’
Today is a special day. Today is a day I’ve known about for a while, and it is a day
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Review: Stoned Jesus ‘Father Light’
Over the last decade, one band I have become increasingly more aware of as time has passed is Stoned Jesus.
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Review: Witch Ripper ‘The Flight After The Fall’
When I think of Seattle, I’m predominantly guided by the whole grunge scene of the ‘90s. During this time I
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Review: Wolves In Winter ‘The Calling Quiet’
It’s not very often the name Bradford comes up as the birthplace for any major musical events or is the
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Review: Marlene Ribeiro ‘Toquei No Sol’
The name Marlene Ribeiro may not mean anything to you, just like it didn’t to me until I took on
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Review: Oozing Wound ‘We Cater To Cowards’
Oozing Wound, not your average band name, but then, these aren’t your average band. Purveyors of sounds seldom witnessed these
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Review: Fågelle ‘Den Svenska Vreden’
Just under a year ago, I had the pleasure of witnessing and reviewing BIG I BRAVE perform live at the
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Review: The Freqs ‘Poachers’ EP
Formed in 2019, pre-global pandemics, and hailing from Salem in Massachusetts, The Freqs have, in the last four years, smashed
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Review: Hammock ‘Love In The Void’
Eleven albums into a career, you would have thought any band would be set with their sound, and either be
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