Review: The Ocean ‘Solaris’
The twelfth album from Berlin post-metal juggernauts The Ocean leaves long-time listeners a lot to unpack. The elephant in the
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Author: Mark Hunt-Bryden
Review: Godflesh ‘Decay’
Godflesh. For the last forty years, that name has been synonymous with both extreme and industrial metal. They also took
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Review: Green Lung ‘Necropolitan’
It has been a satisfying journey to watch the rise of British occult metal band Green Lung. From the youthful
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Review: Spider Kitten ‘God Don’t Sleep’
Spider Kitten. A puzzle wrapped in a conundrum. A contradictory battle with experimentation, mental health, and a refusal to sit
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Review: Shannon Jae Ridout ‘Two Busted Boots And A Broken Heart’
Personally, the best things to come from the Anti-Corp Music The Magnolia Sessions were the worlds of Lost Dog Street
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Review: Russian Circles ‘Nine’
Chicago-based instrumental pioneers Russian Circles have long been synonymous with complex songwriting, powerful emotional narratives, and bridging the gap between
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Review: Steve Austin ‘The Magnolia Sessions’
There has always been a connection between the underground music scene and country music. Often, the darker side of country
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Review: Nxmad ‘The Second Fall’
Once upon a time in the North of England, there was a band called Nomad. They were full of raw
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Review: Okay You Win ‘End Of Days’
When doing research for acts I would see at this year’s Desertfest, I stumbled across London-based rockers Okay You Win
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Review: Hanry ‘What Came From Silence’
The last time I put pen to paper (or fingertip to keyboard, if you crave accuracy) about French instrumental rockers
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Review: Ramblin’ Ricky Tate ‘The Magnolia Sessions’
The latest series of Anti-Corp’s wonderful The Magnolia Sessions continues to deliver the goods in terms of shining a light
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