Review: Hijss ‘Stuck On Common Ground’
‘Hijss’, interesting word eh? I suppose it could be an exclamation of sorts. How to pronounce it? Not sure. Hi
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Author: Rob Walsh
Review: Monkey3 ‘Welcome To The Machine’
Having put an impressive twenty years into soaring instrumental weaves and mountains, Switzerland’s Monkey3 have returned with their seventh full-length,
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Top Ten Of 2023: Rob Walsh
2023 was admittedly a mostly difficult year for me. I got off to a great start but by the early
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Review: TodoMal ‘A Greater Good’
Spanish duo TodoMal’s name translates to ‘all evil’ or ‘all bad’, yet their latest album is literally titled A Greater
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Review: Teeth Of The Sea ‘Hive’
One could never fault London-based ethereal trio Teeth Of The Sea for not having enough influences on this, their sixth
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Review: Baroness ‘Stone’
The word ‘mature’ is often a means to describe where an artist finds themselves after many years on the road
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Review: Tomoyuki Trio ‘Mars’
Tomoyuki Trio’s Voiceless Cry begins with a surge of gradually blaring static. It practically bubbles out of the speakers and
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Brant Bjork Trio / Yawning Balch @ Knitting Factory, North Hollywood, 8th September 2023
Originally established in New York in 1987, the Knitting Factory is something of a venue franchise here in the States.
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Review: Kita ‘Tyhjiö’
Despite being of partial Finnish ancestry, the language of Suomi has always seemed overwhelming to me (and everyone else), perhaps
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Review: KIND ‘Close Encounters’
Formed in 2013, KIND is a Boston-area sonic slab-lobbing supergroup of sorts. The quartet is made up of drummer Matt
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Review: Somnuri ‘Desiderium’
While New York’s Somnuri are described as a ‘progressive sludge’ or ‘post-sludge’ band, a term I would prefer to use
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