Review: Converge ‘Hum Of Hurt’
Blessed are we, those who suffer under the yoke of life, to receive TWO NEW CONVERGE RECORDS IN ONE YEAR!
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Author: Sandy Williamson
Review: Lair Of The Minotaur ‘I HAIL I’
The return of Chicago’s Lair Of The Minotaur has been a long time coming, having been in relative silence since
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Review: –(16)– ‘Forgeries Vol. 1, 1972 – 1984’
A covers album can be one of two things: an easy cash-in record to fill time between studio releases or,
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Review: SUNN O))) ‘SUNN O)))’
It was a pleasant surprise to see drone doom icons SUNN O))) return to their grim, hypnotic roots on Eternity’s
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Review: Azken Auzi ‘Infernua’
French sludge doom duo Azken Auzi have returned to the fold with their new record Infernua on Argonauta Records. The
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Review: Owls Over Oaks ‘O.O.O.’
The new record from extreme drone doom Italians Owls Over Oaks is called O.O.O., and you can probably guess what
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Review: Moloch ‘Bend. Break. Kneel. Crawl.’
British sludge doom titans Moloch have been missing in action for a while, with seven long years passing since their
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Review: Nytt Land ‘Aba Khan’
The tenth full-length record from Siberian folk duo Nytt Land, Aba Khan, sees them back to picking at the threads
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Review: Converge ‘Love Is Not Enough’
When you are entrusted to review the new record by one of hardcore and extreme music’s most venerated and celebrated
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Review: Invictus ‘Nocturnal Visions’
In case you hadn’t noticed, the world of death metal is probably at its strongest place since the early 2010s,
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Review: Rotten Sound ‘Mass Extinction’ EP
Finnish grindcore veterans Rotten Sound started when their genre was at its lowest coolness factor, blasted everyone to pieces for
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