Review: Droni Eye Omi ‘Live At Guild Cinema’
Droni Eye Omi (certainly one of the wittiest band names I’ve encountered in some time) is an Albuquerque-based ambient psychedelic,
Read More >>
D
Review: Dozer ‘Rewind To Return: Rarities, Singles And B-Sides’
When a band is young and active, it is easy to get lost in the moment and not necessarily be
Read More >>
Review: Da Captain Trips ‘In Between’
With a robust discography that includes five full-length albums, an EP, a live album, and collaborations like the split with
Read More >>
Review: Dez Dare ‘CHERYL! Your Love Shines Down Like A Supernova’s Death’
Dez Dare, aka Darren Smallman, grew up in Geelong, a port city some 47 miles southwest of Melbourne, Victoria in
Read More >>
Review: Divus ‘Divus 3’
Immersing oneself into the icy abyss of Rome’s urban cinematic experimental visceral jazz duo Divus‘ musical darkness is like revelling
Read More >>
Review: Doctors Of Space ‘Fusing Your Synapses’
Prepare to embark on a mind-bending cosmic journey as you immerse yourself in the unearthly soundscapes crafted by the intergalactic
Read More >>
Review: Divide And Dissolve ‘Insatiable’
In their decade of existence, Divide And Dissolve have gone from one of doom metal’s most intriguing acts to one
Read More >>
Review: DEADPOP ‘OHM’
London’s DEADPOP are Sam Mathys on bass/vocals and Paul Antony (Ghold, Bruxa Maria, Test Dept) on drums/samples. The duo’s label
Read More >>
Review: Dead Pioneers ‘PO$T AMERICAN’
At a time of turmoil across America with the Mango Mussolini and his gang of starry eyed, slack jawed, yokels
Read More >>
Review: Dead Meadow ‘Voyager To Voyager’
Back in June of 2022 I went to the 1720 Club in East Los Angeles to review Heavy Psych Sounds
Read More >>
Review: Daxma ‘There Will Come Tomorrow’
Daxma‘s Ruins Upon Ruins was released in 2019 as part of the first PostWax series on Blues Funeral. That was
Read More >>