Review: Jerry A. Lang ‘From The Fire Into The Water’
Poison Idea, you know them well, formed in 1980 in Portland, Oregon, they went on to inspire and influence legions
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J
Review: Final Light ‘Final Light’
Originally billed as a one-time project (although happily recent interviews may suggest that if the planets align correctly this could
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Review: Josiah ‘We Lay On Cold Stone’
Blues Funeral Recordings has worked some magic these last few years. PostWax Volume I was an enormous hit and bringing
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Review: James Romig & Mike Scheidt ‘The Complexity Of Distance’
James Romig, for all that don’t know (like myself until recently), is a composer. That word… composer… makes my skin
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Review: J. Zunz ‘Del Aire’
J. Zunz is Lorena Quintanilla from Guadalajara in Mexico whose day job sees her playing as one half of garage
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Review: Oren Ambarchi / Johan Berthling / Andreas Werliin ‘Ghosted’
Repetition in music can be a divisive thing. On one hand the riff, by definition, is a relentlessly repeated hook
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Review: Jo Quail ‘The Cartographer’
Once upon a time, there was a time. It was a time before Jo Quail. Back then, in early 2020,
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Review: Jarboe ‘Skin Blood Women Roses’ Reissue
According to her Wikipedia page, Jarboe La Salle Devereaux was born in Mississippi, raised in New Orleans and Atlanta, and
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Review: Jade Brodie ‘The Magnolia Session’
The seventh instalment of Anti-Corporate Music/Black Matter Mastering mastermind and sound engineer Dan Emery’s The Magnolia Sessions comes from the
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Review: Joan Avant ‘Dies Irae’
Okay, let’s start with a pop quiz. Who reading this has any knowledge of what ‘Victorian Gothic Symphonic Rock’ is?
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Review: Jeffrey Alexander + Heavy Lidders ‘Elixor Of Life’
Cardinal Fuzz (UK/Europe) and Centripetal Force (North America) will be releasing a 300-copy vinyl run of Jeffrey Alexander + Heavy
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