Review: DRIFT. ‘Violence For Your Furs’
It’s only when Nathalia Bruno, aka DRIFT. joined God Unknown Records roster that I sat up and took notice, as
Read More >>
Post-Punk
Review: King Sans ‘Sell The Cow’
King Sans, a new outfit from Chicago, Illinois are Jake Steven James (guitars/synths/vocals) and Izabella Rose (drums/vocals). Leading up to
Read More >>
Review: Pallida Cavtat ‘La Distanza Tra Noi E La Riva’
Amerigo Verardi, a leading figure in Italy’s independent underground rock scene, has reinvented himself over the years not only as
Read More >>
Review: Hey Colossus ‘Heaven Was Wild’
Hey Colossus, the long-running, prolific, UK heavy noise-rockers return with album number fifteen, Heaven Was Wild, which, in the crazy
Read More >>
Review: Killing Joke ‘EXTREMITIES, The Albini Demos And Live Beginnings ’88’
The late ‘80s marked a turbulent period in Killing Joke’s history, first there were the departures of founding member Big
Read More >>
Review: Golden Hours ‘Beyond Wires’
What has always captivated me most, eliciting a profound sense of both fascination and desolation, particularly while listening to Berlin’s
Read More >>
Review: AAA Gripper ‘We Invented Work For The Common Good’
For a record that brings ‘work’ into the frame from the title, there is a surprising amount of play and
Read More >>
Review: mclusky ‘the world is still here and so are we’
I’d like to start by dedicating this review to my friend Adam York Gregory, who was responsible for introducing me
Read More >>
Review: The Underground Youth ‘Décollage’
With a remarkable discography spanning twelve captivating albums, culminating in their latest masterpiece Décollage, The Underground Youth have solidified their
Read More >>
Review: Bag People ‘Bag People’
Bag People never put out a proper full-length album during their lifetime, their only output came in the form of
Read More >>
Review: Haunted Horses ‘Dweller’
My first review of 2025 comes courtesy of a band who hail from the birthplace of grunge, Seattle, and who
Read More >>