Review: Hooveriii ‘Manhunter’
Although Bert Hoover‘s solo project Hooveriii, now a seven-piece band, has been around the Los Angeles music scene for over a decade, it wasn’t until the release of their album, A Round Of Applause, that they truly captured my attention. Frontman Bert, who has always shown potential, finally found his unique musical voice on this record.
It feels as if he took the time to reflect on his previous work and carefully selected the best elements from earlier albums. Instead of the gimmicky sounds that once felt disjointed, he created a beautiful blend of styles that flows seamlessly throughout and with its occasional moments of modern electronic beats, it gave their retro sound a fresh twist.
This newfound clarity and purpose demonstrate a maturation in his artistry, marking a significant step forward for both him and the band. What sets A Round Of Applause apart is its immersive experience, where each track unfolds like a new chapter in a novel, with each song carefully crafted.
With their follow-up album, Pointe, the band takes a shift towards a more mellow and introspective sound. Here, the music nurtures a sense of intimacy, akin to the heartfelt ballads that evoke deep emotions. The songs become more personal, reflective and intimate. Echoes of the Scissor Sisters’ early work ring through these delicate moments, reminding us of the power of sincerity in music. His exploration of intimacy reveals a different side of the band, showcasing their ability to traverse various musical landscapes seamlessly.
The climax of their artistic expression is found in the sprawling, nine-minute masterpiece The Ship That I Sail. This track is a perfect encapsulation of everything that makes them special, from the dreamy, meandering melodies to the lush, layered instrumentation that builds to a rapturous crescendo. It’s a sonic journey that showcases their adventurous spirit and mastery of their craft.
Dipping into the new album Manhunter feels like stepping into a vibrant time machine that carries you back to the late ‘70s and early ‘80s. The fifteen tracks within this collection are bursting with the eclectic sounds of British post-punk, a style that broke away from traditional rock to explore new musical territories.
Album opener, the frenetic Melody, pulls you in with its lively energy and rhythmic complexity. Each note dances around, creating an atmosphere that is both exciting and richly textured. It’s reminiscent of some of the best jams, combining elements of rock with experimental influences and psychedelic feels. The band’s ability to switch between unbridled energy and gentle resonance makes their music feel alive, as if it is constantly evolving. This explosive beginning is a testament to their creativity and skill, making you feel that even the famous King Gizzard & The Lizard Wizard might feel a pang of envy at their artistry.
As the album progresses, we are taken on a delightful journey through various sonic landscapes. The playful vibes throughout different tracks bring a fresh spontaneity that keeps you on your toes. Each song is crafted with care, capturing a blend of whimsical sounds that feel straight out of a dream. You can almost hear hints of inspiration from the coastal sounds of the ‘60s, echoing a spirit of freedom and creativity. This playful side of the album ensures that there’s never a dull moment, reminding everyone of the joy that music can bring.
demonstrates their ability to craft a full auditory experience where every track complements the others…
What sets Manhunter apart is its delightful mix of lively rock and soothing instrumental pieces. Tracks like Night Walks In Monteaux and the title track, Manhunter, provide a perfect balance to the energetic songs, offering some much-needed breathing room. These more relaxed tunes create an atmospheric backdrop, evoking images of serene night skies and tranquil moments of reflection.
As you listen, it’s easy to imagine yourself wandering through a quiet landscape under the stars, lost in thought. This blend not only showcases the band’s versatility but also demonstrates their ability to craft a full auditory experience where every track complements the others. The transitions between upbeat numbers and slower melodies keep things fresh and engaging, making the album as a whole a joyful journey.
Then comes Stage, the stunning closing track that beautifully transitions to a more serene vibe. It radiates a nostalgic charm, wrapping up the album with a heartfelt atmosphere that resonates deeply. The elegance of the melodies evokes memories of legendary bands like Grateful Dead and Quicksilver Messenger Service, who are known for their romantic and reflective compositions.
In many ways, Stage feels like the shimmering finale of a live performance, with thoughtful lyrics and a lush arrangement that can make anyone feel deeply connected to the music. It’s a perfect bow on an album filled with sonic exploration, capturing the essence of what makes Hooveriii such a remarkable band.
Through their art, they’ve truly carved out a place for themselves, resonating with fans and creating lasting memories with their astonishing sound. Overall, in creating Manhunter, Hooveriii has truly carved out a unique niche in the music world, much like a sculptor chiselling a masterpiece from rough stone. Their sound is a testament to the power of innovation and creativity, reminding us that music can transcend the ordinary.
The way they weave together different influences speaks volumes about their talent and passion for music. Each track feels like a story, crafted with care, drawing the listener in with its layers of sound and texture. The result is an album that not only entertains but also resonates deeply, leaving a lasting impact. As they balance frenetic grooves with beautiful harmonies, it’s clear that Hooveriii has created a monument to their musical journey, one that will surely leave listeners eagerly anticipating what delights they will dream up next.
Label: The Reverberation Appreciation Society
Band Links: Facebook | Bandcamp | Spotify | Instagram
Scribed by: Domenico ‘Mimmo’ Caccamo
