Review: Lord Elephant ‘Ultra Soul’
Florence, Italy’s chasm-opening, instrumental, cosmic doom trio, Lord Elephant, return with their second full-length, released once again through Heavy Psych
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Author: Martin Williams
Review: Dark Sky Burial ‘The Sacred Neurotic’
Dark Sky Burial, the prolific, one-man, dark, ambient and experimental project of extreme metal legend Shane Embury. The longtime bassist
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Review: The Mon ‘Songs Of Abandon’
The Mon, the acoustic, psych-folk, solo project from Urlo, the primary architect behind Italian heavy, portal-openers Ufomammut, had been floating
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Review: Bell Witch & Aerial Ruin ‘Stygian Bough: Volume II’
After five years, the Pacific Northwest doom ensemble Stygian Bough has returned with the follow-up to their 2020 debut, Volume
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Top Ten Of 2025: Martin Williams
As I predicted at the beginning of the year, 2025 turned out to be an insane, psychotic shit show, especially
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Review: Nuclear Dudes ‘Skeletal Blasphemy’
Now, here we have an interesting project. Nuclear Dudes is the Covid-born, brainchild of Jon Weisnewski, the multi-instrumentalist behind not
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Review: Various Artists ‘Brown Acid – The Twenty-First Trip’
If I’m being honest, I was curious to see if LA’s always‑awesome RidingEasy Records was going to continue its iconic,
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Review: Wino ‘Create Or Die’
Chances are if you’re reading this review, or The Sleeping Shaman in general, the man known as Wino needs no
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Review: Electric Jaguar Baby ‘Clair-Obscur’
Parisian garage-fuzz two-piece Electric Jaguar Baby return after a three-year absence with Clair-Obscur, their first release for Majestic Mountain Records.
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Review: Droni Eye Omi ‘Live At Guild Cinema’
Droni Eye Omi (certainly one of the wittiest band names I’ve encountered in some time) is an Albuquerque-based ambient psychedelic,
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Review: Supernaughty ‘Apocalypso’
Livorno, Italy’s Supernaughty return with their third full-length, and the four-piece’s first for Ripple Music, the much-anticipated Apocalypso. Supernaughty (undoubtedly
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