Review: Righteous Fool ‘Righteous Fool’
I’ll begin the proceedings by acknowledging that despite this being the debut album from Raleigh, North Carolina’s Righteous Fool, I’ve
Read More >>
Author: Martin Williams
Review: Holy Scum ‘Strange Desires’
With a name like Holy Scum, an album cover featuring a glitchy, digital, grainy dude in a hood, giving off
Read More >>
Review: Mournful Congregation ‘The Exuviae Of Gods – Part I’
I am in no way what one would consider a funeral doom aficionado. Whilst I’m familiar with most of the
Read More >>
Review: Peth ‘Merchant Of Death’
As someone who’s spent roughly forty of his fifty-one (I can’t fucking believe I just wrote that) years in the
Read More >>
Review: Las Cruces ‘Cosmic Tears’
Way back in the late ’90s and early ’00s, I was living in Seattle when I was just getting into
Read More >>
Review: Blue Heron ‘Ephemeral’
In the genre we call desert rock, outside of Kyuss, and the bands and artists that splintered from them, it
Read More >>
Review: Geezer ‘Stoned Blues Machine’
Kingston, New York’s immense, stoner, and heavy blues trio Geezer made quite an impact with 2020’s Groovy. The re-vamped lineup’s
Read More >>
Review: Greenseeker ‘The Wish’
As stoner rock & doom metal have expanded over the last few decades, we’ve seen more and more bands mining,
Read More >>
Review: Ecstatic Vision ‘Elusive Mojo’
To say Ecstatic Vision have made an impact on the worldwide stoner, doom, and heavy psych scene the last decade
Read More >>
Review: Kaleidobolt ‘This One Simple Trick’
It’s been cool to watch the expansion of stoner, doom, and heavy rock & roll over the course of the
Read More >>
Review: Ambassador Hazy ‘The Traveler’
I never cease to be amazed by the one-man-band. I mean, it’s difficult enough to get competent with a single
Read More >>