Review: Feed Them Death ‘The Malady’
Formed in 2017, London’s Feed Them Death‘s previous releases were essentially a one-man operation. This time however it has expanded
Read More >>
Author: Reza Mills
Review: GNOD ‘Spot Land’
GNOD have been a Salford (Manchester) musical staple since their formation back in 2006 with founding member Paddy Shine a
Read More >>
Review: Diamanda Galás ‘Diamanda Galás In Concert’
My first encounter with Diamanda Galás was her debut album The Litanies Of Satan, one of the most harrowing listening
Read More >>
Review: Chrome Waves ‘Lost Horizon – Live 1/5/2024’
Chrome Waves, who have been pretty prolific over the past five or so years, deliver their first ever live album,
Read More >>
Review: Sect ‘Plagues Upon Plagues’
I chose to review Plagues Upon Plagues for two reasons; one was because they are on Southern Lord, a label
Read More >>
Review: Slim Cessna’s Auto Club ‘Kinnery Of Lupercalia: Buell Legion’
Back in 2022 when the world was slowly emerging from the pandemic, I reviewed Kinnery of Lupercalia; Undelivered Legion by
Read More >>
Review: The Antikaroshi ‘L’inertie Polaire’
I spent several days in Leipzig, not only taking in the sites of what was once one of East Germany’s
Read More >>
Review: High Noon Kahuna ‘This Place Is Haunted’
High Noon Kahuna are Tim Otis – guitar/screams, Brian Goad – drums and Paul Cogle on bass/vocals and their prior
Read More >>
Review: Rated Eye ‘Rated Eye’
Wax Donut are fast becoming my favourite label and following what has been some excellent releases, label owner Moray brings
Read More >>
Review: The Lord ‘Worship: Bernard Herrmann Tribute’
Bernard Herrmann shouldn’t need an introduction as an Academy Award-winning composer best known for some of the most prominent soundtracks
Read More >>
Review: Ufomammut ‘Hidden’
Having reviewed and loved The Mon‘s 2023 album Eye, my appetite was thus whetted for Ufomammut‘s latest release Hidden. The
Read More >>