Review: Coaltar Of The Deepers x Boris ‘hello there’
Japanese legends Boris have played around in pretty much every genre of rock and metal you can think of, and
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Author: Sandy Williamson
Review: Blazar ‘Fatal Cosmic Wound’
Fatal Cosmic Wound is the debut full-length from Barcelona’s Blazar, a sludgy funeral doom outfit who take their name from
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Review: Peter Wolff & Jens Borgaard ‘Destroyer’
The third solo record from Downfall Of Gaia‘s Peter Wolff, Destroyer sees him collaborate with Dutch folk singer Jens Borgaard
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Review: Corrupted ‘Felicific Algorithm / Mushikeras’
Japan’s Corrupted are a mystery to most. No interviews, no photo shoots, very little is known about these drone, doom
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Review: Ancient VVisdom ‘Master Of The Stone’
I remember the first time I ever heard Ancient VVisdom, over a decade ago now on their A Godlike Inferno
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Review: Escuela Grind ‘DDEEAATTHHMMEETTAALL’
The third and final piece in the Escuela Grind tribute EPs, following 2020’s PPOOWWEERRVVIIOOLLEENNCCEE and GGRRIINNDDCCOORREE (I absolutely love this,
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Top Ten Of 2023: Sandy Williamson
Well, 2023 has been a very good year, mostly in the world of music, but in a few other places
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Review: Hibushibire ‘Magical Metamorphosis Third Eye’
When I recently told the head Shaman about my nascent interest in classic Japanese psych rock as I had just
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Review: Litha ‘Litha’
Litha is the solo project of Andrew Black of Oregon’s, now sadly defunct, Sorceress and their self-titled record is out
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Review: AcidSitter ‘Make Acid Great Again’
The strange world of psych-rock is not one I have spent too much time in, and it has been a
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Review: Autopsy ‘Ashes, Organs, Blood And Crypts’
Seriously guys, another record? Give us a break… Actually, scratch that; give me all the Autopsy I can handle! The
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