Review & Interview: No Gigs Does Not Have To Mean No Music
I’ve seen some dire predictions in my social media feed about the future of the arts in the post-pandemic world:
Read More >>I’ve seen some dire predictions in my social media feed about the future of the arts in the post-pandemic world:
Read More >>‘Is Sad Reverb Doom a sub-genre?’ This is the kind of self-deprecation that grabs my attention, and it’s written all
Read More >>Going through a band’s history, describing their artistic goals, or picking apart the press release can usually do a lot
Read More >>I’m not sure if it’s because I hadn’t been paying attention, but Heavy Psych Sounds seems to have suddenly gotten
Read More >>Necro Deathmort said it themselves; they don’t give a single fuck. “We’ve stopped caring that each new release might alienate
Read More >>Philadelphia’s NOTHING are an intriguing prospect. Signed to Relapse who is usually associated with more abrasive types of music, this
Read More >>Reviewing a record by Nadja is not an easy task. If you just look at their back catalogue its frightening
Read More >>In my book, if you’re going to call your band something as naughty as Night Viper, then you’d better show
Read More >>A split release from Manchester’s own Nomad and Huddersfield’s Wort out on Red Valley Records. Seven songs in praise of
Read More >>Northumbia are an ambient metal duo based in Toronto, Canada. Jim Field plays guitar, Dorian Williamson plays bass and between
Read More >>When I became a music writer for the Sleeping Shaman, my goal was to dig deeper into the underground scene
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