Review: GNOD & White Hills ‘Drop Out III’
Drop Out III marks a triumphant ‘conclusion’ to the iconic Drop Out saga, capturing the essence of an extraordinary musical
Read More >>
W
Review: Water Damage ‘2 Songs’
I unfailingly enjoy the thrill of the Shaman’s latest list of delectables for review dropping into my inbox, rummaging through
Read More >>
Review: Willi Carlisle ‘The Magnolia Sessions’
This year it has been hard to get going, especially when pummelled daily by the 24/7 news cycle bringing fresh
Read More >>
Review: Warlung ‘The Poison Touch’
Houston Texas’s Warlung returns with the follow-up to 2022’s Vultures Paradise, which I enjoyed quite a bit, although, if I’m
Read More >>
Review: Wren ‘Black Rain Falls’
With Black Rain Falls, their third full length, Wren marry the lustre and polish of the very best post-metal influences
Read More >>
Review: Wardruna ‘Birna’
Wardruna are more of a musical collective than a band, a group of like-minded individuals whose talents to bring an
Read More >>
Review: Wyatt E. ‘Zamāru Ultu Qereb Ziqquratu Part 1’
Like most people these days, I’m always seeking something fresh to listen to so that I can broaden my musical
Read More >>
Review: Weite ‘Oase’
Every now and then something will come along that you didn’t know you needed until you are caught up in
Read More >>
Review: Witchpit ‘Forever Spoken’
I remember when I first listened to South Carolina’s mighty sludge masters Witchpit as it was a time when I
Read More >>
Review: Witnesses ‘Joy’
For as long as I can remember I have been following the work of Greg Schwan’s Witnesses project. It started
Read More >>
Review: Wolfbrigade ‘Life Knife Death’
Wolfbrigade, the long-time, Swedish flag-bearers for pummeling buzzsaw, d-beat and hardcore for almost three decades return with Life Knife Death,
Read More >>