Review: Moonin Down ‘The Third Planet’
Without the disclosure of Planet X from worldwide governments, we have yet to discover what rock ‘n’ roll would sound
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Folk
Review: Šamane ‘Solstice’
Three years ago I reviewed progressive doom rockers SAPATA and their album No Sun To Embrace for The Shaman which
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Review: Lost Dog Street Band ‘Survived’
Music, at its core, should stir the emotions in my opinion, and nothing has encapsulated this in recent years more
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Review: Goat ‘Medicine’
We pay into a convenient, encrypted reality that others spend a lifetime cracking. Goat crack into the physics of metal
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Review: David Eugene Edwards ‘Hyacinth’
I’ve name-checked 16 Horsepower and Wovenhand numerous times in reviews for The Shaman, and now that I have an opportunity
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Review: Hexvessel ‘Polar Veil’
Hailing from the dark forest, progressive folk rockers Hexvessel have been on a path which their founder Mat McNerney describes
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Review: Wooden Tape ‘Music From Another Place’
Merseyside based Tim Maycox (aka Wooden Tape) as well as being both a writer and musician is also a high
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Review: Lankum ‘False Lankum’
Lankum are a Dublin four-piece whose members comprise of Ian Lynch, Daragh Lynch, Cormac Mac Diarmada and Radie Peat who
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Review: The Devil’s Trade ‘Vidékek Vannak Idebenn’
The most striking thing about the dark Hungarian doom/folk band, for me, is Dávid Makó’s voice. Over a traditional musical
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Review: Austin Stambaugh ‘Midwest Supernatural’
Steve Earle’s quote about standing on Bob Dylan’s coffee table and declaring Townes Van Zandt to be the greatest songwriter
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Review: Dorthia Cottrell ‘Death Folk Country’
It’s not very often that an album title perfectly describes its content, to the point where three little words can
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