Review: Russian Circles ‘Blood Year’
If you’re reading this, then it’s quite likely you already know who Russian Circles are…maybe even listened to their earlier
Read More >>
Review
Review: Harrowed ‘Chaotic Nonentity’
When you’re part of a new wave of bands which share influences, you’re either content to follow what everyone else
Read More >>
Review: Coffins ‘Beyond The Circular Demise’
Legendarily prolific Japanese death/doom lords Coffins have returned with their first full length record since 2013’s The Fleshland, but they
Read More >>
Review: Cain – S/T
Innovation in artistic expression is often under appreciated, especially in a music industry with sensibilities unaccustomed to dramatic change—the early
Read More >>
Review: Chelsea Wolfe ‘Birth Of Violence’
It has been a strange and fascinating journey to follow the career of Chelsea Joy Wolfe. Born in Northern California
Read More >>
Review: Lindy-Fay Hella ‘Seafarer’
Originally born out of a desire to explore her own musical desires as well as the power of voice, Lindy-Fay
Read More >>
Review: Goatess ‘Blood And Wine’
Goatess have been around embryonic since 2009 before solidifying as the current moniker in 2012, but have enjoyed being tipped
Read More >>
Review: Wallowing ‘Planet Loss’
The dictionary definition of ‘wallowing’ that does not imply a hippo at a watering hole is the unrestrained indulgence of
Read More >>
Review: Torche ‘Admission’
Torche. You know who Torche are. Are they a post-hardcore band? Is this some kind of Sludge pop? “When people
Read More >>
Review: Monolord ‘No Comfort’
Monolord. Gothenberg, Sweden’s Sabbath-riff worshipping, groove Doom trio have been around since 2013, and their fourth full-length release is about
Read More >>
Review: Circle ‘Terminal’ 2017
The Finnish collective that makes up Circle are one of those bands that have gathered a small dictionary of words
Read More >>