Review: Exhumed ‘To The Dead’
You’d think after 32 years that Exhumed would have run out of steam, or macabre shit to write about. But
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Author: Sandy Williamson
Review: Darkthrone ‘Astral Fortress’
There is often much debate about modern Darkthrone vs classic Darkthrone, and whether one of the most important black metal,
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Review: The Otolith ‘Folium Limina’
The weighty yet atmospheric majesty of SubRosa will forever be missed in the modern doom scene; a unique voice in
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Review: Autopsy ‘Morbidity Triumphant’
What do you even say about Autopsy at this point in their long and illustrious career? If you’ve by some
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Review: Sonic Flower ‘Me And My Bell Bottom Blues’
Starting as a side project of Church of Misery‘s Tatsu Mikami and Takenori Hoshi in 2001, I’m assuming to get
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Review: Spiritus Mortis ‘The Great Seal’
Classic Finnish doom legends Spiritus Mortis have been churning out mighty hymns to heavy metal since 1988, but The Great
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Review: Boris ‘Heavy Rocks 2022’
The simple idea that Heavy Rocks is so true and so potent that Japanese legends BORIS (and this is the
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Review: Monasterium ‘Cold Are The Graves’
I know that Poland’s history with metal isn’t exactly empty, but I feel like the last two years have been
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Review: Ataraxy ‘The Last Mirror’
I’ve followed Spanish underground legend death metallers Ataraxy for a number of years now, since I heard their Revelations Of
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Review: Wardruna ‘Kvitravn – First Flight Of The White Raven’
Remember when a yearning for being a Viking was only for metalheads and medieval reenactors, instead of wildly misinformed racists
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Review: I Am The Night ‘While The Gods Are Sleeping’
I Am the Night may be a brand new entity but their music is conjured into being by four long
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