Review: Golgothan ‘Leech’
Today I learned what Golgothan actually meant, and I’m not sure I was ready for it… Lousiana’s Golgothan named themselves
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Author: Sandy Williamson
Review: Mines ‘Your Ever Failing Happiness’
I know very little about Wales, but if the new Mines album is anything to go by, it doesn’t seem
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Review: Stargo ‘Dammbruch’
Stargo have been churning out psychedelic stoner doom since 2008, and their combination of raw power and hazy, cosmic freakouts
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Review: Penny Coffin ‘ΤΕΦΡΑ / ΣΚΕΛΕΤΙΚΟ ΣΚΟΤΑΔΙ’
Scottish/Greek death metal four-piece Penny Coffin have been given the honour of Dry Cough Records‘ first release of 2022; a
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Review: Nullification ‘Kingdoms To Hovel’
Filipino death metallers Nullification were spawned from the filth of 2021, and quickly put their debut record together in June
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Review: Boris ‘W’
Boris are one of my favourite bands EVER. Their magnificent genre bending, style switching music has enthralled me since the
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Review: Funeral ‘Praesentialis In Aeternum’
What more can you say about Norwegian doom titans Funeral, other than the fact that their sound has slowly evolved
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Top Ten Of 2021: Sandy Williamson
When I look back on my favourite albums of 2020, death/doom and misery featured highly due to the ongoing world
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Review: Mienakunaru ‘Blood Sun’
The latest work from esteemed psych lord Mike Vest, along with collaboraters Dave Sneddon and Junzo Suzuki is Mienakunaru‘s new
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Review: Mortiferum ‘Preserved In Torment’
The dank, deep darkness of Washington State birthed Mortiferum back in 2016 and their discography is a battlefield littered with
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Review: BASTARÐUR ‘Satan’s Loss Of Son’
Although you’d never guess it from listening to BASTARÐUR‘s debut record Satan’s Loss Of Son, the main powerhouse behind this
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