Review: Modern Stars ‘Space Trips For The Masses’
In the late ‘80s/early ‘90s UK shoegaze was generally seen as a derogatory term aimed at NME bands who couldn’t
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Author: Tim Keppie
Review: Wornoc ‘Motionless’
A relatively new project that began in April 2021 involving Dublin based Conor Walsh, we kick off Motionless with a
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Review: Blacklist ‘Afterworld’
It’s so wonderful to come and review a band that ticks all the boxes for you and this sure is
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Review: High Time ‘High Time’
A high-octane assault introduces us to Liverpool’s three-piece High Time formed in the past few years during lockdown and contemporaries
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Review: Menk ‘II’
Formed in St Petersburg, Russia at ‘Slam City’ underground club by two like-minded souls Yury and KInll, both with a
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Review: Morlock ‘The Outcasts’
This, the second release from Morlock and Andrew Prestidge (synthesist and drummer) (Zoltan, Warning, 40 Watt Sun, The Osiris Club)
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Review: Executioner’s Mask ‘Winterlong’
Heavily influenced by the ’80s UK post-punk and goth scene, Executioner’s Mask are clearly drawing on their influences with Winterlong.
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Review: Fuzz Meadows ‘Orange Sunshine’
Rarely does a band deliver a debut album brimming over with such imagination, aggression and tenderness but also with an
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Review: Veiled ‘Artefacts’
One of the dark, ambient electronic projects of Daniel James Dolby. Six tracks on this release demonstrate his ability to
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Review: Magic Shoppe ‘Mono Lake’
Hailing from Boston, Massachusetts and boasting a more than reasonable following on Bandcamp, I am informed that Magic Shoppe are
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Review: Thurston Moore ‘Screen Time’
Thurston Moore needs little introduction, best known as the extremely inventive and experimental guitarist/singer with Sonic Youth, also as an
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