Review: Smote ‘Songs From The Free House’
There is something about Smote that captivates you, almost like a spell has been cast upon your soul from the very first listen. You find it hard to resist, as it evokes a profound emotional response and liberates your imagination. This is how I would describe the (mostly) one-man band from Newcastle upon Tyne. There is this, and also this unique ability to make flutes and bagpipes sound incredibly doomy.
The Linton Wyrm is one of the most interesting songs in the album as Daniel Foggin recants the tale of a certain John de Sommerville, a local knight who allegedly fought a dragon, thrusting his spear made of burning peat into its mouth, hurting him so bad that the hillside collapsed when he died, giving it its unnatural shape. But more than just a folktale, the sound invokes something more sinister and is also one hell of a headbanging track, turning into a heavy hymn with distorted guitar riffs and solemn marching drums. How cool is that?!
The interesting musical pattern explored in this track is echoed throughout the entire album, notably in Chamber, with its head-spinning ten-minute runtime; probably not a big deal in the grand scheme of things, considering that we are talking about a kraut-rock-inspired drone-folk project, but still impressive enough to mention it and most definitely worthy of attention. Chamber weighs on you like a mighty mastodon, enveloping you in a ceremonial atmosphere that invites deep immersion, reflection and escapism.
enveloping you in a ceremonial atmosphere that invites deep immersion, reflection and escapism…
The same goes for the interlude Snodgerss, with its fantastic crescendo. On the other hand, Wynne shines thanks to its cinematic vibes, showcasing all-embracing soundscapes and atmospheric melodies. The haunting notes of the uilleann pipes also play a significant role in creating the type of songs that would sound incredible live, as they do on the record. By unpacking these elements, readers can truly appreciate the song’s immersive qualities and its invaluable contribution to the album’s overall mood.
Songs From The Free House is not just an outstanding drone/folk album; it serves as Foggin‘s heartfelt tribute to the landscapes of Tyneside and the Scottish Borders. In addition to the contribution of uilleann pipes on Wynne, production by Sam Grant, and guest vocals from Sally Masonof Thraa, the record is predominantly crafted by Foggin himself, who plays all the instruments and adds depth to his vocals.
The result is a fantastical journey through the Borders where nature and history merge seamlessly. Smote is not for the faint of heart and requires a certain appreciation for drone and folk music to fully embrace this album. However, if you happen to like them live, Songs From The Free House will convert you to the rest of their discography.
Label: Rocket Recordings
Band Links: Bandcamp | Spotify | Instagram
Scribed by: Nessie Spencer
