Review: Bell Witch & Aerial Ruin ‘Stygian Bough: Volume II’
After five years, the Pacific Northwest doom ensemble Stygian Bough has returned with the follow-up to their 2020 debut, Volume
Read More >>
Doom
Review: Primitive Man ‘Observance’
When Primitive Man enter a stage, everyone in the room takes notice. I know this from experience. Back in 2012
Read More >>
Review: Slomatics ‘Atomicult’
Belfast’s Slomatics are an institution at this point in the UK underground doom and sludge scenes, but their sound has
Read More >>
Review: Mellowdeath ‘Mellowdeath’
Mellowdeath are a Berlin-based band who are incredibly innovative. For the past several years, they have been forging new and
Read More >>
Review: The Devil’s Trade ‘Nincs Szennyezetlen Szép’
The Devil’s Trade has undoubtably been one of my favourite musical discoveries in recent years. Hungarian singer/songwriter Dávid Makó (formerly
Read More >>
Review: Wino ‘Create Or Die’
Chances are if you’re reading this review, or The Sleeping Shaman in general, the man known as Wino needs no
Read More >>
Review: Frayle ‘Heretics & Lullabies’
Having been a fan of Frayle for the last few years, when the opportunity came up recently to review the
Read More >>
Review: Cathedral ‘Society’s Pact With Satan’
When I first heard about a new release from departed British doom legends Cathedral was coming out, I was initially
Read More >>
Review: Cosmic Reaper ‘Bleed The Wicked, Drown The Damned’
North Carolina’s Cosmic Reaper have returned to reap the unworthy, the pitiful, the uncool… You know who you are! And
Read More >>
Review: Castle Rat ‘The Bestiary’
The dance of the beasts. Castle Rat‘s second full-length album, The Bestiary, is their most ambitious and realised work yet,
Read More >>
Review: Litania ‘Litania’
What do you get when you cross members from Elli De Mon, The Great Northern X, Collars and The Black
Read More >>